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Cannes Winning Film "Pro-IRA" ?
The Irish blogosphere was all buzz this morning with the news that an Irish film had one the about the presentation of the Palme d'Or award at the Cannes Film Festival to an film about the Irish war of independence. Meanwhile a storm is brewing in the British tabloids. The film, The Wind That Shook The Barley, which was partly funded by National Lottery money, shows British soldiers as indiscriminately violent - a depiction that the film's director Ken Loach claims is accurate, asserting that "Their brutality is legendary - no one would question that."
It was described by Harry MacAdam in the Sun (not available online) as the "most pro-IRA film ever... designed to drag the reputation of our nation through the mud". Ruth Dudley Edwards, writing in the Daily Mail, notes "the portrayal of the British as sadists and the Irish as romantic, idealistic resistance fighters."
Follow up:
It's not hard to see where they're coming from either. Loach, obviously an unbiased source, claims that the Irish rebels could be compared to French Resistance or the Partisans in Italy. The film was made with the intention of creating a parallel between the events of the rebellion in Ireland with the current instability in Iraq.
To be quite honest, I've no idea whether the portrayal is anything like accurate or not. What I do have is the suspicion that the director, like so many others, is unquestioningly following the comfortable narrative that Irish republicans have sold themselves for the guts of a century. There are any number of examples showing that people have no qualms in exaggerating or 'bending' the truth for this particular cause. Of course I won't know this until I watch the film, which I would probably like to do at some stage (and probably do some research too), but let's face facts: he wouldn't be the first to turn a supposed historical drama into promotional material for paramilitaries.
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17 comments
As for the rebels, by the time of the War of Independence, it was a popular uprising, in so much as there ever was one.
i hope and pray some big bad arab never shows them the truth.
honest.
Britain ran an empire, which was driven by force, maintained by force it threatened force.
Many other empires existed and have so since the dawn of time, their caralyst of growth being War.
War is an inherent aspect of human nature. Terrorism is an inherent aspect of War. If men want to free themselves from the tyrannic past of an empires grip, well why not? Unionism's obsession with seeing all things irish and terrorist as being satanic are at odds with their own views of Britian and her often shameful past as being heavenly. Those men in Ken Loach's film threw off the shackles of an empire and sought their independence, forming a great if not expensive nation. Well done those men.
I'm not even going to ask for where you would put 1 million British inhabitants of your utopian Ireland when it is "united and British free".
This film concentrates heavily on how fighting for a cause together can nearly be achieved. But only almost, hence the resulting civil war and highlights futher pain and struggle of choosing a side and ultimately fighting with men you fought and trained with. At the end of the day it is a film made through one mans eyes. So will always have it's critics!.
The situation and beliefs that lead to the formation of the PIRA and further to the CIRA and RIRA as well as the alphabet soup of loyalist Paramilitary groups are vastly different and historically different from the situation that occurred in Ireland at the beginning of the 20th century.
Ireland at the time was the least appetising part of England's great British Empire. The people were amongst the poorest in Europe and they lived in a country where the vast majority of the poulation were toally bereft of representation and decision making. The Established goverment and Church were far from representative and the Irish were a people who had beleived in their right to self determination for hundreds of years. It took the famine to finally take a toll on Irish traditional culture and language.
If we are seeing the Irish of 1916 as representative of the Provos today then we are ignoring many imprortant facts. Were Wolfe Tone's United Irishmen the same as the PIRA? They were a collaboration of Dissenter and Catholic and largely Presbyterian led. Their griefs and justifications were vastly different from the needs and beliefs that formed the PIRA.
The irish of the early 20th century were inspired by a mixture of a romantic, noble view of their racial and cultural identity as espoused by Pearse, Griffiths and Yeats and the newer marxist leftist views that found a ready audience in poverty ridden Ireland.
The Britsh empire was cruel, Modern britain strives not to be. Empire meant cultural and lingustic domination as well as religious and traditional. The penal years are an example of such injustice. Modern Britain is not Empirial Britain. Therefore the triggers for past troubles and modern troubles cannot be seen as the same.
